Anand Patwardhan's passionate, detailed chronicling of injustices in India has made him the filmmaking conscience of his nation. In The Name of God, Jai Bhim Comrade, and Father, Son, and Holy War stand not only as first-rate documentaries, but as direct interventions on behalf of justice and compassion. After years of work, Patwardhan is back with perhaps his most urgent and thorough film yet. 　　Divided into eight chapters, Reason sets out to chart what Patwardhan sees as India's slide away from the complex tumult of a secular democracy towards hardening divisions of power, caste, and religious belief — lines that are enforced increasingly by violence.

Anand Patwardhan's passionate, detailed chronicling of injustices in India has made him the filmmaking conscience of his nation. In The Name of God, Jai Bhim Comrade, and Father, Son, and Holy War stand not only as first-rate documentaries, but as direct interventions on behalf of justice and compassion. After years of work, Patwardhan is back with perhaps his most urgent and thorough film yet. 　　Divided into eight chapters, Reason sets out to chart what Patwardhan sees as India's slide away from the complex tumult of a secular democracy towards hardening divisions of power, caste, and religious belief — lines that are enforced increasingly by violence.

派玛拉（珍妮·提恩坡苏皖 Janie Tienphosuwan 饰）和阿洁（潘普·斯棠 Sitang Punpop 饰）是青梅竹马的玩伴，两个女孩之间感情十分的要好。一天，一个名叫雷克（纳瓦·君拉纳拉 Nawat Kulrattanarak 饰）的男孩搬到了她们家隔壁。没过多久，雷克就喜欢上了个性开朗的阿洁，然而，阿洁却并不是很中意雷克，两人之间常常爆发争吵，每当这时，雷克都习惯向派玛拉倾吐内心里的郁闷。 　　某日，阿洁告诉雷克，自己爱上了一个名叫特德潘（路易斯·斯科特 Louis Scott 饰）的男人，她要和他结婚。派玛拉不离不弃的守候在心碎欲绝的雷克身边，渐渐的，雷克爱上了她，两人决定携手步入婚姻的殿堂。哪知道，在结婚典礼上，阿洁再度出现了。

派玛拉（珍妮·提恩坡苏皖 Janie Tienphosuwan 饰）和阿洁（潘普·斯棠 Sitang Punpop 饰）是青梅竹马的玩伴，两个女孩之间感情十分的要好。一天，一个名叫雷克（纳瓦·君拉纳拉 Nawat Kulrattanarak 饰）的男孩搬到了她们家隔壁。没过多久，雷克就喜欢上了个性开朗的阿洁，然而，阿洁却并不是很中意雷克，两人之间常常爆发争吵，每当这时，雷克都习惯向派玛拉倾吐内心里的郁闷。 　　某日，阿洁告诉雷克，自己爱上了一个名叫特德潘（路易斯·斯科特 Louis Scott 饰）的男人，她要和他结婚。派玛拉不离不弃的守候在心碎欲绝的雷克身边，渐渐的，雷克爱上了她，两人决定携手步入婚姻的殿堂。哪知道，在结婚典礼上，阿洁再度出现了。

我们始终信奉道德与真理。

我们始终信奉道德与真理。

Foča is a municipality in eastern Bosnia and Herzegovina where women were raped and abused on a large scale during the Bosnian war. Women, and girls as young as 12 years old, were imprisoned at various locations to be gang-raped, mostly by Serbian fighters. This was cause for the Yugoslavia Tribunal to designate “systematic rape” and “sexual slavery”—war crimes that frequently went unprosecuted—as torture and crimes against humanity. As a result, these crimes can now be universally prosecuted. 　　The so-called Foča case called on great courage from the countless women who testified about their horrific experiences. To preserve their anonymity the women were identified using numbers or letters. In this forensic video essay, filmmaker Kumjana Novakova uses mostly written testimonies by the women to explore the collective memory of the rape camps. In grainy video footage, the camera explores the places where these inhuman crimes took place, while the women speak about the unspeakable. 　　源自：https://festival.idfa.nl/en/film/c925f7a5-aa96-42aa-a222-4f9276df0821/silence-of-reason/

Foča is a municipality in eastern Bosnia and Herzegovina where women were raped and abused on a large scale during the Bosnian war. Women, and girls as young as 12 years old, were imprisoned at various locations to be gang-raped, mostly by Serbian fighters. This was cause for the Yugoslavia Tribunal to designate “systematic rape” and “sexual slavery”—war crimes that frequently went unprosecuted—as torture and crimes against humanity. As a result, these crimes can now be universally prosecuted. 　　The so-called Foča case called on great courage from the countless women who testified about their horrific experiences. To preserve their anonymity the women were identified using numbers or letters. In this forensic video essay, filmmaker Kumjana Novakova uses mostly written testimonies by the women to explore the collective memory of the rape camps. In grainy video footage, the camera explores the places where these inhuman crimes took place, while the women speak about the unspeakable. 　　源自：https://festival.idfa.nl/en/film/c925f7a5-aa96-42aa-a222-4f9276df0821/silence-of-reason/

昭和10年、不知火公 爵（清水紘治）は、自らの演出でマルキ・ド・サドの『悪徳の栄え』を妻の珠江（李星蘭）主演、脇はすべて犯罪者の劇団員でしめた舞台劇として上演しようとしていた。そして公爵は、劇団員の犯（牧野公昭）に命じて妻を犯させるという舞台裏の演出をほどこすが……。 　　サドの原作を劇中劇にして、昭和初期、226事件直前の貴族の退廃をエロティシズム濃厚に描いた実相寺昭雄監督ならではの異色作。倒錯と欲望と退廃を徹底的にスタイリッシュな映像美で捉えながら、そこから導き出されていく狂える孤独感をも巧みに描出。また昭和初期の東京が舞台ということもあって、実相寺監督の前作『帝都物語』と表裏一体をなす作品としても讃えられている。気品と狂気をあわせ持つ清水紘治の名演も特筆しておきたい。 　　奇才・実相寺昭雄監督が放つサスペンスミステリー。サディズムの語源となったマルキ・ド・サドの代表作「悪徳の栄え」をモチーフに、芝居を演じるハイソサエティの犯罪者たちが織り成す現実と虚構が錯綜した狂気の愛の世界を描く。